
You know you've done it. And if you haven't, you know that secretly deep down, you've always wanted to. I wouldn't hold anything against you. It's natural to let one's inner superstar out every once in a while.
That's why I am a faithful in the Church of Karaoke. I believe in the gods of Sweet Georgia Brown, Sound Choice and Singing Machine. They lead me to everlasting glory, bearing only a wireless microphone and a lyrical television screen. Choirs of pre-recorded analog angels harmonize with my soulful hymns, and I see the light...of the disco ball...
My humble hyperbole serves only to illustrate the frankness of my appeal to the masses. Karaoke is a way of life, and God help anyone who tries to destroy it. Like a mean, ugly bitch who thinks she is the true queen of the karaoke scene, lording over us all as if we were her minions, stealing the thunder from our skies because that provides temporary relief from a sickly ego. (She wasn't really that ugly. Yet I vilify her for the purposes of this story.)
I'm not a phenomenal singer. I boast only that I can hold a tune when required and that I truly enjoy singing. To be honest, plucking the vocal chords in front of people scares me stiff. I've had psychological meltdowns before a cappella concerts, and vomiting spells during musical auditions. I have a fear of high notes (or is it a fear of being perceived as imperfect? Not sure), and when I think of singing publicly, the breath in my lungs mysteriously dissipates. Which is exactly why I choose to do Karaoke. I treat it as an exercise in eschewing the comfort zone. It's not a competition, it's not a sing-off. It's just me trying to make myself a more confident gal.
So one can imagine my discomfiture the other night upon the final cadence of my rendition of "All That Jazz" in a seedy bar downtown, to be met not with encouraging applause, but with,
"Get the f$#& out! You can stop wiping you ass with this trash heap! This ain't your bathroom!"
So sayeth the aforementioned mean, ugly girl. This was her kingdom, and I in some way must have offended. I handed the microphone back to the bartender (the KJ, isn't that cute? Like DJ but for karaoke!) like a scolded child unsure of the magnitude of its transgression. Bitch girl snatched it back, at which point the chords of a Pat Benetar song (I don't remember which, for they all sound the same) began to blast through the stereo system. I have to admit that she had a decent voice: a little bit of Janice's soul mixed with a little bit of Shania's belt. She had great lung power that she directed effectively through her chest (although trained singers would scoff at such bad form). In essence, I knew right off the bat that she had a better voice than I. Like, ten times better. So obviously better, that I was at a complete loss to even guess at how she could have felt threatened by me at all! But she sang the shit out of that Pat Benetar song until her throat started rasping. Then she left the bar in a huff.
Flash forward to two weeks later, when I decided to return to this bar for another evening of releasing the inner superstar. She wasn't there when I arrived, and I'd forgotten that her petty ass existed. But as soon as I picked up the mic to start singing Amy Winehouse's "Rehab," she walked in, strutting across the bar. She passed in between me and the television screen at one point, with an entourage that included a trashy looking dude and a little person who was a dead ringer for "Jackass"'s Wee- Man. They sat down at the bar, and I could see her trying to give me the evil eye.
A few minutes later, it was deliberately whispered to me that the Wee-Man-look-a-like was an agent for a big record company, here to see her sing. He was about four feet tall, with the disposition of an angry pitbull. (Last time I checked in with reputable agents, none of them would come to a karaoke bar to recruit new talent.) No sooner did I register this bit of clearly fake information, than someone slapped me in the leg! I looked down and saw the wee-man running away at top speed.
Bitch pulled a Tonya Harding on my ass! It was a hit and run leg slapping, all because someone felt threatened by my less-than American Idol vocal stylings. That just does not compute in my world. WHY????
Anyhow, I made it out alive that night, and I'll live to go back there. I'll face that hose-bag and her childish and semi-illegal attempts to thwart my performance. To be honest, stage-fright is far more intimidating to me and a far worthier enemy to fight.
Let the death match continue!!!